art on trial
(ed. by Luis Ruiz and Maria Jesus Ruiz)
Valencia Tirant Lo Blanch - Diputación de Cádiz, 2009
(ed. by Luis Ruiz and Maria Jesus Ruiz)
Valencia Tirant Lo Blanch - Diputación de Cádiz, 2009
PRESENTATION
- Hey, Hitler!
- Hey, myself!
- That's not in the script!
"You should not despise a laugh
(Ernst Lubitsch, To Be or Not To Be , 1942)
- Villar del Rio Neighborhood! I'm your mayor, and as your mayor I am I owe an explanation, and I owe you an explanation as I'm going to give, I am your mayor ...
(José Isbert in Welcome Mr. Marshall, Luis G. Berlanga , 1952)
If the spontaneous fun of Franco launched by José Isbert from the balcony of the City of Villar del Rio went unnoticed by the censors of the time, the corrosive satire of Hitler devised by Lubitsch was banned in Spain until the seventies, when it began to be exhibited in art galleries and testing. Different fortunes, as they ran, these two works of art in our imagination come to represent the same thing: creative freedom and, through it, denouncing dictators, and any power so outlandish based on prohibition and extermination.
In the last Conference of Art and Crime (The art in the opinion) wanted to try those who tried and condemned to be art-for-century after century, and pretend to read and look without prejudice hidden works, banned or burned by the executors of moral cleanliness, so widespread. The Conference will be held at the Palacio de la Diputación de Cádiz between 22 and 24 October 2008 and those called loyal to our intention, rescued the pages on fire, covered the paintings and words silenced, displaying a range of verses and images that someone, at some point, we had been deprived of knowing. In these pages that follow, curious reader, it uses everything that was said there, plus a handful of contributions from people who could not but have wanted to join the enjoyment of freedom that look freely was created.
This book is well stay over increasingly large and populous area of \u200b\u200bArt and Crime. Here we are looking for reasons inexplicable to criminalize the art and insurance, we will not get it explained, but more willing to keep looking. They have done-from free will, commitment and respect-all who signed, and also those who listened and encouraged us and encourage us. They have done so even those who forbade us. The reader judge the results.
For our part, is the appreciation expressed to the speakers and students of the Third Meeting of Art and Crime, copies provided in the reflection and debate, and as the Foundation of Culture Provincial Deputation of Cadiz, its leaders and its technical staff for your support.
- Hey, Hitler!
- Hey, myself!
- That's not in the script!
"You should not despise a laugh
(Ernst Lubitsch, To Be or Not To Be , 1942)
- Villar del Rio Neighborhood! I'm your mayor, and as your mayor I am I owe an explanation, and I owe you an explanation as I'm going to give, I am your mayor ...
(José Isbert in Welcome Mr. Marshall, Luis G. Berlanga , 1952)
If the spontaneous fun of Franco launched by José Isbert from the balcony of the City of Villar del Rio went unnoticed by the censors of the time, the corrosive satire of Hitler devised by Lubitsch was banned in Spain until the seventies, when it began to be exhibited in art galleries and testing. Different fortunes, as they ran, these two works of art in our imagination come to represent the same thing: creative freedom and, through it, denouncing dictators, and any power so outlandish based on prohibition and extermination.
In the last Conference of Art and Crime (The art in the opinion) wanted to try those who tried and condemned to be art-for-century after century, and pretend to read and look without prejudice hidden works, banned or burned by the executors of moral cleanliness, so widespread. The Conference will be held at the Palacio de la Diputación de Cádiz between 22 and 24 October 2008 and those called loyal to our intention, rescued the pages on fire, covered the paintings and words silenced, displaying a range of verses and images that someone, at some point, we had been deprived of knowing. In these pages that follow, curious reader, it uses everything that was said there, plus a handful of contributions from people who could not but have wanted to join the enjoyment of freedom that look freely was created.
This book is well stay over increasingly large and populous area of \u200b\u200bArt and Crime. Here we are looking for reasons inexplicable to criminalize the art and insurance, we will not get it explained, but more willing to keep looking. They have done-from free will, commitment and respect-all who signed, and also those who listened and encouraged us and encourage us. They have done so even those who forbade us. The reader judge the results.
For our part, is the appreciation expressed to the speakers and students of the Third Meeting of Art and Crime, copies provided in the reflection and debate, and as the Foundation of Culture Provincial Deputation of Cadiz, its leaders and its technical staff for your support.
CONTENTS
1
Antonio Rey Hazas
civil and inquisitorial censorship of books in the English Golden Age
2
Patricia Martínez
Madame Bovary and the censorship of artistic form as a violation
3
Juan Terradillos Basoco
Baudelaire: process verses evil 4
Leonor Acosta Rafael Galán and
"A book is a loaded gun in the house next door" to the culture and the apocalypse Fahrenheit 451
5
Luis Ramón Ruiz Rodríguez
Miroslav Tichý, or punishment of freedom
6
Maria Luisa de la Garza
Mexican Corridos, according
7
Miguel A. G ª Argüez
Verses for sentencing
8
José Antonio Martín Pallín
The cultural repression of the Franco
9
Antonio Gómez Rufo
Cinema de Berlanga and censorship during the decade of the 50
10
María Jesús Ruiz
censored memory Small (children's books in exile)
11 Gustavo Puerta
Can we accept that we act as censors?
12
Mari Karmen Gil Fombellida
Censorship on stage: theatrical activity Basque Focus (1970-1986)
13
Vargas Rafael Rebollo
The cover of "Thursday" to Justice: the heir to the crown as "vague voluptuous and greedy"
14
Guillermo Torres
Why should not we be silent
15
Manel Fontdevila
thirteen Tuesday and last week 16 Juan
José Téllez
The censorship and other English journalism mysteries
Epilogue by John Terradillos
1
Antonio Rey Hazas
civil and inquisitorial censorship of books in the English Golden Age
2
Patricia Martínez
Madame Bovary and the censorship of artistic form as a violation
3
Juan Terradillos Basoco
Baudelaire: process verses evil 4
Leonor Acosta Rafael Galán and
"A book is a loaded gun in the house next door" to the culture and the apocalypse Fahrenheit 451
5
Luis Ramón Ruiz Rodríguez
Miroslav Tichý, or punishment of freedom
6
Maria Luisa de la Garza
Mexican Corridos, according
7
Miguel A. G ª Argüez
Verses for sentencing
8
José Antonio Martín Pallín
The cultural repression of the Franco
9
Antonio Gómez Rufo
Cinema de Berlanga and censorship during the decade of the 50
10
María Jesús Ruiz
censored memory Small (children's books in exile)
11 Gustavo Puerta
Can we accept that we act as censors?
12
Mari Karmen Gil Fombellida
Censorship on stage: theatrical activity Basque Focus (1970-1986)
13
Vargas Rafael Rebollo
The cover of "Thursday" to Justice: the heir to the crown as "vague voluptuous and greedy"
14
Guillermo Torres
Why should not we be silent
15
Manel Fontdevila
thirteen Tuesday and last week 16 Juan
José Téllez
The censorship and other English journalism mysteries
Epilogue by John Terradillos
