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art on trial
(ed. by Luis Ruiz and Maria Jesus Ruiz)

Valencia Tirant Lo Blanch - Diputación de Cádiz, 2009

PRESENTATION


- Hey, Hitler!
- Hey, myself!
- That's not in the script!
"You should not despise a laugh
(Ernst Lubitsch, To Be or Not To Be , 1942)

- Villar del Rio Neighborhood! I'm your mayor, and as your mayor I am I owe an explanation, and I owe you an explanation as I'm going to give, I am your mayor ...
(José Isbert in Welcome Mr. Marshall, Luis G. Berlanga , 1952)

If the spontaneous fun of Franco launched by José Isbert from the balcony of the City of Villar del Rio went unnoticed by the censors of the time, the corrosive satire of Hitler devised by Lubitsch was banned in Spain until the seventies, when it began to be exhibited in art galleries and testing. Different fortunes, as they ran, these two works of art in our imagination come to represent the same thing: creative freedom and, through it, denouncing dictators, and any power so outlandish based on prohibition and extermination.

In the last Conference of Art and Crime (The art in the opinion) wanted to try those who tried and condemned to be art-for-century after century, and pretend to read and look without prejudice hidden works, banned or burned by the executors of moral cleanliness, so widespread. The Conference will be held at the Palacio de la Diputación de Cádiz between 22 and 24 October 2008 and those called loyal to our intention, rescued the pages on fire, covered the paintings and words silenced, displaying a range of verses and images that someone, at some point, we had been deprived of knowing. In these pages that follow, curious reader, it uses everything that was said there, plus a handful of contributions from people who could not but have wanted to join the enjoyment of freedom that look freely was created.

This book is well stay over increasingly large and populous area of \u200b\u200bArt and Crime. Here we are looking for reasons inexplicable to criminalize the art and insurance, we will not get it explained, but more willing to keep looking. They have done-from free will, commitment and respect-all who signed, and also those who listened and encouraged us and encourage us. They have done so even those who forbade us. The reader judge the results.

For our part, is the appreciation expressed to the speakers and students of the Third Meeting of Art and Crime, copies provided in the reflection and debate, and as the Foundation of Culture Provincial Deputation of Cadiz, its leaders and its technical staff for your support.

CONTENTS
1
Antonio Rey Hazas
civil and inquisitorial censorship of books in the English Golden Age
2
Patricia Martínez
Madame Bovary and the censorship of artistic form as a violation
3
Juan Terradillos Basoco
Baudelaire: process verses evil 4

Leonor Acosta Rafael Galán and
"A book is a loaded gun in the house next door" to the culture and the apocalypse Fahrenheit 451
5
Luis Ramón Ruiz Rodríguez
Miroslav Tichý, or punishment of freedom
6
Maria Luisa de la Garza
Mexican Corridos, according
7
Miguel A. G ª Argüez
Verses for sentencing
8
José Antonio Martín Pallín
The cultural repression of the Franco
9
Antonio Gómez Rufo
Cinema de Berlanga and censorship during the decade of the 50
10
María Jesús Ruiz
censored memory Small (children's books in exile)
11 Gustavo Puerta

Can we accept that we act as censors?
12
Mari Karmen Gil Fombellida
Censorship on stage: theatrical activity Basque Focus (1970-1986)
13
Vargas Rafael Rebollo
The cover of "Thursday" to Justice: the heir to the crown as "vague voluptuous and greedy"
14
Guillermo Torres
Why should not we be silent
15
Manel Fontdevila
thirteen Tuesday and last week 16 Juan

José Téllez
The censorship and other English journalism mysteries

Epilogue by John Terradillos

Old Pink Throom Ceramic Tile

Jail, Berlanga, film

If A Moveable Feast, Hemingway would say, Spain was a failure that would Berlanga. "A failure in which we burn continuously to rebuild again," says Antonio Gomez Rufo. The phrase does not know if it's yours or mine. But it sure would have loved to say. "The writer arrived yesterday to participate in Cádiz the days of Art and Crime, under the heading of prisons, had this year as a central theme creation art in prison ...

Read more:

http://www.diariodecadiz.es/article/ocio/551620/quotpodria/considerarse/berlanga/como/valleinclan/cine/espanolquot.html

Fotos De Jennifer Lopez

Art and Crime Conference 2009 (Cadiz, 30 October) Crimes

IV CONFERENCE FOR ART AND CRIME: PRISON
Palacio de la Diputación de Cádiz, October 30, 2009

Organization: Provincial Cultural Foundation Collaborate
: Andalusian Institute of Criminology / Telefónica
Coordination and editorial direction : Luis Ruiz (Professor of Criminal Law of the UCA and Director of the Institute of Criminology) and Maria Jesus Ruiz (Professor of English Literature at the UCA)

Prison (Cellulairement in the original French) is the title of a book project only never initiated and written by Paul Verlaine when he was in jail for trying to kill his lover Rimbaud.
The Art and Crime Conference 2009 and pay tribute to the immense artistic wealth for centuries connected to the jail, prison, criminal, detention or captivity, art and literature that emerged from the prison experience of its creators, or texts, paintings and films created to reflect or report various prisons.
reduction (hopefully occasional) Days to a single day has made us a highly refined selection of interventions. However, the aim is to show the greatest diversity of artistic experiences related to jail. Open the session
Antonio Gómez Rufo, Berlanga biographer and a long career as head of the National Film Library. Gómez Rufo prison analyze the reality of Spain in the last fifty years through film de Berlanga. The concert scheduled flamenco
intended to be, beyond a recital, an educational exhibition of the heterogeneity of clinical manifestations in flamenco has reached the reality of prison, especially cruel to the Roma community in recent centuries. Seguiriyas, romances, tonás, fandangos, cantiñas, soleares and ballads are the posts that will be addressed in this part of the program: songs not only reminiscent of the specific issue of prison, but also alluding to other captivity-the imprisoned soul of sense for example-and, of course, the resounding theme of freedom.
addition to these interventions, we present the book "Art and Crime: the art on trial, the result of the Conferences held in 2008. The book has been published jointly by the Publications Service of the Foundation of Culture Provincial Deputation of Cadiz and the editorial Valencia Tirant lo Blanc that this is incorporated into the sponsorship of the collection, and coordination has been carried out by Luis Ruiz and Maria Jesus Ruiz. This book is the third volume in the Art and Crime and assist him not only the speakers who participated directly in the Days of 2008, but a group of project partners from various perspectives that contribute essays on the topic of censorship and the criminalization of art. PROGRAM


18:30 Conference
writer Antonio Gómez Rufo English
Each has his cell about "The Executioner" and "All in jail" by Luis G. Berlanga "
20:00 Presentation the third volume of Art and Crime
Maria Jesus Ruiz and Ramon Luis Ruiz (coords.), Arts and crime: the art on trial. Editorial Tirant lo Blanc and Provincial Cultural Foundation of the Diputación de Cádiz, 2009 20:30
flamenco concert: Seven sticks and chaired by Manuel
A Naranjo, Juan Alberto San Miguel Zarzuela and


PARTICIPANTS

Antonio Gómez Rufo

writer and translator, Gómez Rufo is the author of novels such as The Night of the tamarind, Secrecy of the captive king or Goodbye to men. Linked from the late seventies to the General Directorate of Film National Film and is the authorized biographer Berlanga, on whose figure and film production has published several books and essays. Regular contributor to various media: newspapers like El Pais, El Mundo, El Independiente, El Sol, Diario 16, La Vanguardia, Information, People, Journal of Valencia, El Correo, El Ideal de Granada, Diario de Cádiz, El Faro of Vigo and El Periódico de Catalunya, and magazines such as Cambio 16, Time, The Globe, Reading, Interviu, Panorama, Profiles, Entertainment Guide, The Gazette of the Book, April (Luxembourg) and South Magazine (Sweden). Currently working in the newspaper El Mundo and magazines Boulevard 21, Galerna (New York) and Ateneaglam (Valencia, Spain).

Manuel Naranjo Loreto

Folklorist and ethnomusicologist. Author of numerous works about flamenco and consideration as traditional culture. Regular contributor to various media and a columnist for Diario de Jerez, where for two decades remains Classical page.

Juan Alberto San Miguel Zarzuela and

flamenco teachers (vocals and guitar, respectively) the Conservatoire de Jerez

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